|
Ca tot s-a vorbit zilele astea pe-aici de coincidente... Citeam zilele astea un articol despre auteurism si, mie, personal, mi se parea un concept care ingradea intre niste coordonate bine stabilite opera unui regizor.
Azi, citeam intr-un caiet de lucru al lui Bergman pentru Autumn Sonata, urmatoarele:
I think it is only too true that Bergman did a Bergman.
If I had had the strength to do what I intended to do at the beginning, it would not have turned out that way.
I love and admire the filmmaker Tarkovsky and believe him to be one of the greatest of all time. My admiration for Fellini is limitless. But I also feel like Tarkovsky began to make Tarkovsky films and that Fellini began to make Fellini films. Yet Kurosawa has never made a Kurosawa film.
I have never been able to appreciate Bunuel. He discovered at an early stage that it is possible to fabricate ingenious tricks, which he elevated to a special kind of genius, particular to Bunuel, and then he repeated and varied his tricks. He always received applause. Bunuel nearly always made Bunuel films.
So the time has come for me to look in the mirror and ask: Where are we going? Has Bergman begun to make Bergman films?
Si-am mai invatat ca-i ok sa nu-ti placa o capodopera.
|