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Old 03 Jul 2012, 01:04   #13
oneflyride
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oneflyride
 
Join Date: Jan 2012
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The spirit of the beehive este un film foarte bun, care reuseste sa comunice prin imagini de o mare frumusete, lumea dezintegrata, fantastica a Anei, inocenta , alienarea si singuratatea. Un adevarat poem vizual . Foarte bun si comentariul lui MinRep.

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Ca tot se vorbea de simbolism:

Originally Posted by wikipedia:
The disintegration of the family's emotional life is symbolic of the emotional disintegration of the Spanish nation during the civil war.
The barren empty landscape around the sheepfold represents Spain's isolation during the beginning years of the Francoist regime.


At several points in the film Fernando describes in his writing his revulsion at the mindless activity of the beehive, this is possibly an allusion to human society under Fascism; ordered, organised, but devoid of any imagination.

The beehive theme is carried into the manor house which has hexagonal panes to its leaded windows and a honey-coloured light.


At the start of the film, the authorities are using the Frankenstein film as a warning to the population about man's godless creations which have to be killed for the safety of the public. This is a veiled propaganda attempt to justify the violent overthrow of the elected government in the civil war by intimating the monster to be the "godless" socialism of the Republic. This metaphor is repeated later in the film when the hunted republican soldier takes on a role similar to that of the monster in the 1931 film. When Ana calls on the spirit of the monster to return, she is symbolically calling on the spirit of the Republic to return.

Ana represents the innocent young generation of Republican Spain around 1940, while her sister's Isabel deceitful advice symbolises the Nationalists who are obsessed with money and power.

As the film closes we see a warming of Teresa's feelings and the possibility of a future revival of the family's emotional life and by inference the life of Spain.

Last edited by oneflyride : 03 Jul 2012 at 01:12.
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