Originally Posted by Liviu-:
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Eu cred ca paralela e deplasata. Chestia cu dispozitivul de urmarire e folosita in atatea filme, asta nu inseamna ca toate seamana intre ele. I saw the devil e un film despre raul pur, cel animalic, despre razbunare si ceea ce implica ea. A trecut ceva timp de cand am vazut Le samourai, dar parca nu era despre niciuna dintre astea, iar cel urmarit era prezentat intr-o lumina destul de favorabila pentru spectator, in asa fel incat acesta sa tina cu Delon. In filmul asiatic personajul e un maniac, un psihopat, un animal, iar spre el e indreptata ura, nu simpatia.
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Voila!
Q:
Regarding A Bittersweet Life, you have more than once stated that you were inspired and influenced by the works of French auteur Jean-Pierre Melville.
Kim Ji-woon:
From Melville I think I have taken two things, one at the level of meaning, and the other at the level of expression. From the point of view of deeper meaning I think I have tried in this film to transpose into images the vanity of life, by taking a cynical and detached stance in exposing such vanity.
At the level of expression, I borrowed the indirect, oblique manners of narrative in Melville. I tried to reproduce his ability to use gazes, the body language of actors, the sheer weight of atmosphere, the meaningful presence, absence and variation of light; all in all,
his ability to speak without words.
(
http://koreanfilm.org/kimjw.html )
Mai mult respect pentru Samurai
