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Fuck that. Combini labele lui Mann cu The Departed, and not's wise. Based on what. ASL? (as in average shot length, due to the fact The Departed is Scorsese & Thelma Schoonmaker's fastest cut opus - 2,7 seconds/ cut) Influence from Bad Guy or Old Boy? Ever moving camera? Citeste interviul dat de DPul lui Marty in American Cinematographer si ai sa vezi de ce au decis sa traga hiper kinetic. As for me, Scorsese is still king in family business: cussing's still there, so are the villains and the trigger happy gun blazing heroes. Da, recunosc, un pic cam prea pe repde inainte filmul, putin cam mainstream, dar inca super violent, inca atent la character development, inca viril.
Miami Vice e o prostie desaturata si murky, cu palpitatii de film tv. Collateral, la fel, desi ocultind in imagini o simbolistica mai accentuata. Domino si alte labe de-ale lui Tony Scott nici nu intra in aceeasi liga, iar Running Scared, desi mi-a placut mult, nu are all them fleshed out characters ca la Scorsese, si nici actorii aia, nici nu are in spate o istorie de Goodfellas, Bringing Out the Dead sau Casino (my fav so far), toate facute dupa 1980.
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