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Simbad · 15 Jun 2003, 17:28

Romanian film-making has its own tradition in which films appear as creators, mediators and transmitters. Film-makers, especially traditional traditional film-makers, constitute a significant part of this level of culture. There has been collected a ludic corpus of romanian film which was identified and described, and then it was compared with the films of New Zeland and Great Britain. In this well known romanian film the story was treated as a free semiotic creation and has been identified by the analysis of its own structure. Padurea Spanzuratilor a film filled with semiotic creations has been done in the way it is commonly done with myths, rituals, dramas etc. The data of the films are additionaly supported by the data of the process of the film-making. By focusing the attention on the structural characteristics of this films, Origami entended to show that all you people on this part of the WWWeb are totally cabbage!!!!

The final idea of Origami's topic propossal was to find the answer to the following question:

Does the structuring of a simple film script imply any assumptions that have the value of a developmental forerunner of metacognition?

15 Jun 2003, 17:28	#9
Simbad Junior Join Date: Nov 2002 Posts: 30	Origami u cool / sau / mic A,B C in ludicitatea metafilmica Romanian film-making has its own tradition in which films appear as creators, mediators and transmitters. Film-makers, especially traditional traditional film-makers, constitute a significant part of this level of culture. There has been collected a ludic corpus of romanian film which was identified and described, and then it was compared with the films of New Zeland and Great Britain. In this well known romanian film the story was treated as a free semiotic creation and has been identified by the analysis of its own structure. Padurea Spanzuratilor a film filled with semiotic creations has been done in the way it is commonly done with myths, rituals, dramas etc. The data of the films are additionaly supported by the data of the process of the film-making. By focusing the attention on the structural characteristics of this films, Origami entended to show that all you people on this part of the WWWeb are totally cabbage!!!! The final idea of Origami's topic propossal was to find the answer to the following question: Does the structuring of a simple film script imply any assumptions that have the value of a developmental forerunner of metacognition?