Oscar 2010
 

Se mai fac predictii? Cu sau fara premii...

Actor in a Leading Role

* Jeff Bridges in “Crazy Heart”
* George Clooney in “Up in the Air”
* Colin Firth in “A Single Man”
* Morgan Freeman in “Invictus”
* Jeremy Renner in “The Hurt Locker"

Actor in a Supporting Role

* Matt Damon in “Invictus”
* Woody Harrelson in “The Messenger”
* Christopher Plummer in “The Last Station”
* Stanley Tucci in “The Lovely Bones”
* Christoph Waltz in “Inglourious Basterds”

Actress in a Leading Role

* Sandra Bullock in “The Blind Side”
* Helen Mirren in “The Last Station”
* Carey Mulligan in “An Education”
* Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire”
* Meryl Streep in “Julie & Julia”

Actress in a Supporting Role

* Penélope Cruz in “Nine”
* Vera Farmiga in “Up in the Air”
* Maggie Gyllenhaal in “Crazy Heart”
* Anna Kendrick in “Up in the Air”
* Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire”

Animated Feature Film

* “Coraline” Henry Selick
* “Fantastic Mr. Fox” Wes Anderson
* “The Princess and the Frog” John Musker and Ron Clements
* “The Secret of Kells” Tomm Moore
* “Up” Pete Docter

Art Direction

* “Avatar” Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
* “The Imaginarium of Doctor Parnassus” Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
* “Nine” Art Direction: John Myhre; Set Decoration: Gordon Sim
* “Sherlock Holmes” Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
* “The Young Victoria” Art Direction: Patrice Vermette; Set Decoration: Maggie Gray

Cinematography

* “Avatar” Mauro Fiore
* “Harry Potter and the Half-Blood Prince” Bruno Delbonnel
* “The Hurt Locker” Barry Ackroyd
* “Inglourious Basterds” Robert Richardson
* “The White Ribbon” Christian Berger

Costume Design

* “Bright Star” Janet Patterson
* “Coco before Chanel” Catherine Leterrier
* “The Imaginarium of Doctor Parnassus” Monique Prudhomme
* “Nine” Colleen Atwood
* “The Young Victoria” Sandy Powell

Directing

* “Avatar” James Cameron
* “The Hurt Locker” Kathryn Bigelow
* “Inglourious Basterds” Quentin Tarantino
* “Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels
* “Up in the Air” Jason Reitman

Documentary (Feature)

* “Burma VJ” Anders Østergaard and Lise Lense-Møller
* “The Cove” Louie Psihoyos and Fisher Stevens
* “Food, Inc.” Robert Kenner and Elise Pearlstein
* “The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers” Judith Ehrlich and Rick Goldsmith
* “Which Way Home” Rebecca Cammisa

Documentary (Short Subject)

* “China’s Unnatural Disaster: The Tears of Sichuan Province” Jon Alpert and Matthew O’Neill
* “The Last Campaign of Governor Booth Gardner” Daniel Junge and Henry Ansbacher
* “The Last Truck: Closing of a GM Plant” Steven Bognar and Julia Reichert
* “Music by Prudence” Roger Ross Williams and Elinor Burkett
* “Rabbit �* la Berlin” Bartek Konopka and Anna Wydra

Film Editing

* “Avatar” Stephen Rivkin, John Refoua and James Cameron
* “District 9” Julian Clarke
* “The Hurt Locker” Bob Murawski and Chris Innis
* “Inglourious Basterds” Sally Menke
* “Precious: Based on the Novel ‘Push’ by Sapphire” Joe Klotz

Foreign Language Film

* “Ajami” Israel
* “The Milk of Sorrow (La Teta Asustada)” Peru
* “A Prophet (Un Prophète)” France
* “The Secret in Their Eyes (El Secreto de Sus Ojos)” Argentina
* “The White Ribbon (Das Weisse Band)” Germany

Makeup

* “Il Divo” Aldo Signoretti and Vittorio Sodano
* “Star Trek” Barney Burman, Mindy Hall and Joel Harlow
* “The Young Victoria” Jon Henry Gordon and Jenny Shircore

Music (Original Score)

* “Avatar” James Horner
* “Fantastic Mr. Fox” Alexandre Desplat
* “The Hurt Locker” Marco Beltrami and Buck Sanders
* “Sherlock Holmes” Hans Zimmer
* “Up” Michael Giacchino

Music (Original Song)

* “Almost There” from “The Princess and the Frog” Music and Lyric by Randy Newman
* “Down in New Orleans” from “The Princess and the Frog” Music and Lyric by Randy Newman
* “Loin de Paname” from “Paris 36” Music by Reinhardt Wagner Lyric by Frank Thomas
* “Take It All” from “Nine” Music and Lyric by Maury Yeston
* “The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett

Best Picture

* “Avatar” James Cameron and Jon Landau, Producers
* “The Blind Side” Gil Netter, Andrew A. Kosove and Broderick Johnson, Producers
* “District 9” Peter Jackson and Carolynne Cunningham, Producers
* “An Education” Finola Dwyer and Amanda Posey, Producers
* “The Hurt Locker” Kathryn Bigelow, Mark Boal, Nicolas Chartier and Greg Shapiro, Producers
* “Inglourious Basterds” Lawrence Bender, Producer
* “Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
* “A Serious Man” Joel Coen and Ethan Coen, Producers
* “Up” Jonas Rivera, Producer
* “Up in the Air” Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers

Short Film (Animated)

* “French Roast” Fabrice O. Joubert
* “Granny O’Grimm’s Sleeping Beauty” Nicky Phelan and Darragh O’Connell
* “The Lady and the Reaper (La Dama y la Muerte)” Javier Recio Gracia
* “Logorama” Nicolas Schmerkin
* “A Matter of Loaf and Death” Nick Park

Short Film (Live Action)

* “The Door” Juanita Wilson and James Flynn
* “Instead of Abracadabra” Patrik Eklund and Mathias Fjellström
* “Kavi” Gregg Helvey
* “Miracle Fish” Luke Doolan and Drew Bailey
* “The New Tenants” Joachim Back and Tivi Magnusson

Sound Editing

* “Avatar” Christopher Boyes and Gwendolyn Yates Whittle
* “The Hurt Locker” Paul N.J. Ottosson
* “Inglourious Basterds” Wylie Stateman
* “Star Trek” Mark Stoeckinger and Alan Rankin
* “Up” Michael Silvers and Tom Myers

Sound Mixing

* “Avatar” Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
* “The Hurt Locker” Paul N.J. Ottosson and Ray Beckett
* “Inglourious Basterds” Michael Minkler, Tony Lamberti and Mark Ulano
* “Star Trek” Anna Behlmer, Andy Nelson and Peter J. Devlin
* “Transformers: Revenge of the Fallen” Greg P. Russell, Gary Summers and Geoffrey Patterson

Visual Effects

* “Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
* “District 9” Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
* “Star Trek” Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton

Writing (Adapted Screenplay)

* “District 9” Written by Neill Blomkamp and Terri Tatchell
* “An Education” Screenplay by Nick Hornby
* “In the Loop” Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
* “Precious: Based on the Novel ‘Push’ by Sapphire” Screenplay by Geoffrey Fletcher
* “Up in the Air” Screenplay by Jason Reitman and Sheldon Turner

Writing (Original Screenplay)

* “The Hurt Locker” Written by Mark Boal
* “Inglourious Basterds” Written by Quentin Tarantino
* “The Messenger” Written by Alessandro Camon & Oren Moverman
* “A Serious Man” Written by Joel Coen & Ethan Coen
* “Up” Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy

Se fac...si cu premii :D, vezi the golden topic

@buti
Stiu, am vazut.

@Mistah
Pare a fi singurul moment interesant al serii, acela de "remember". cu siguranta, nu vor uita de britany.

Ocarurile de anul asta vor fi o mare varza. pe langa faptul ca filmele nu stralucesc, cu unele exceptii (Tarantino's, as always:x ), va fi ultrapremiat, foarte probabil un film f slab, Avatar.:-&

By the way, isi aminteste cineva, a existat un an mai slab decit acesta? Mi se pare a fi cea mai dezastruoasa editie, cel putin de cind urmaresc eu evenimentul (12-13 ani)...
Anul asta zic pas...(:|

Si fix anul asta s-au gandit sa largeasca categoria BP,post TDK tsk tsk! Un an slab intr-adevar,dar mai degraba in ceea ce priveste nominalizarile, nu filmele in general, fiindca mi-au placut destule din 2009 - I'm just too lazy to write about them. Singurul film memorabil e IB, are cel mai mare potential sa fie remembered peste multi ani. Restul sunt doar bune sau mediocre. I dare you to outguess me @ Predictions :D. Neah,glumesc, am votat cu sufletul in unele categorii si acolo cel mai probabil voi pierde,la fel ca anul trecut. Pacat totusi ca nu se mai pun postere la bataie, sunt maniaca :)), mai ales ca in perioada respectiva se lanseaza AiW.

Apropo de predictii,irinamicu mi le-a copiat in totalitate :)). Pun pariu ca daca aruncam un typo pe acolo,asa aparea si la ea.

Secretul e sa le postezi cit mai aproape de eveniment...;)

Cred ca IB e cel mai bun, dar tare mi-e teama ca Avatar castiga. Scandalos! Mi-am pierdut vremea si cu Globurile si nu-mi venea sa cred ce se intamplase.:-& Parea ireal.
Cand am vazut Avatar, mi s-a parut 'dragut', pentru ca era spectaculos. Dar pe masura ce castiga premii, ma revolta. Oare Cameron este constient ca nu merita premiile castigate? Are simtul masurii?

Din partea mea, poate sa ia toate 'Oscarurile tehnice'. Dar sper, totusi, intr-o minima decevta la BP.

Totusi chill, va ambalati prea tare cu Oscarurile astea. Eu ma abtin de la predictii in general. Iar Globurile nu inseamna nimic raportat la sansele la Oscar. Acum doi ani la Globuri a luat Atonement.
Mai bien va uitati la ceva sarituri cu schinurile acuma and take a deep breath ;)

Din cei 52 de 'prezicatori' de pana acum, 45 au prezis 'Avatar'.:((

Weinstein says Basterds for Pic, Bigelow for Director - Cameron says Bigelow for Director, Avatar for Pic :).
La Globuri pariasem pe Avatar la Best Drama, nu ii dadusem regia insa. Ah well, it's just entertainment for me, nu e ca si cum as candida...inca ;)!


Stai linistita, ca mama-omida crede altceva. Seriously guys, eu sunt surprinsa ca sunt atatia care voteaza cu Avatar. Avatar won't get the big cheese.

Si eu simt la fel.Dintre nominalizatii(pentru ce zece?!?) la best picture nici un film nu m-a dat pe spate.:(

Am niste predictii betoaneeeeeeee (si most important: CORECTE, btw toata lumea e pe langa la niste categorii unde marii favoriti nu vor lua) dar nu le pun pana cu o secunda inainte de expirarea deadlineului :P (ca sa nu mi le fure fomishtii care s-au inscris pe forum doar ca sa mai ciuguleasca si ei un DVD de pomana acolo, si fura de la altii mai cu esperientza, cum i s-a intamplat lui buty :( )

Hey macar ma simt importanta :)).Din cate am vazut, 3 au prezis EXACT ca mine. Oricum stocul de premii e limitat si dupa calculele mele, am sanse mari sa gresesc in vreo 5-6 categorii...shorts, IB, The Imaginarium (l-am aruncat acolo just because, nu pentru ca as crede cu adevarat ca va castiga :D). Eu tinteam spre postere, pentru ca Cinemagia tot m-a rasfatat cu filme, dar acu' e vremea sa mai iau si eu o pauza de la premii. SPER ca nu te referi la actori,imi place cum sta treaba acolo, chit ca m-ar durea in paispe daca Bullock n-ar castiga. Nominalizarea lui The Blind Side la Best Pic o face sa plece cu sansa I si in plus, are acea atitudine degajata si are discursuri amuzante, care ung Academia pe suflet. They like it when actors play it nice, de aceea tind sa cred ca ea il va lua. Apropo,n-ar fi cool ca Waltz sa dea un discurs in 4 limbi :D?I know I would do that if I were him :-?.

@chambord
Te rog, da-mi si mie un mp cu nr. adevaratei fiice a mamei Omida. Vreau sa si faca niste vraji, dar si sa castig niste dividele. Predictiile le postez dupa ce iau legatura cu ea.

@buty
Cinci limbi ar fi mai cool.

Dati-mi mie Oscarul si va dau discursul in 5...Romana,Engleza,Germana,Spaniola si Franceza :D.

Chiar atata credit le dai unora care au considerat Shakespeare in Love cel mai bun film al anului 1998?!

Dar e destul de evident din tendinte. The Hurt Locker a cam maturat la Guild Awards, astea sunt cele mai clare indicatoare pentru Oscaruri.

Din greseli se invata :D. De atunci au mai aparut prospaturi. Haideti,cum sa ia Avatarul :(?? Macar Titanic a avut mana lui Kate Winslet pe geam.

Pai si Avatarul are ochii maari si adanci ai lui Neytiri :))

Dar de cel mai bun film strain ce ziceti? :P Chiar daca in general The White Ribbon a castigat mai tot, nu m-as mira deloc sa vad Un Prophete castigator. Si nu doar Un Prophete, tocmai am vazut The secret in their eyes si as zice ca e un contracandidat puternic, parca si putin mai apropiat de gusturile celor din Academie.

Nu ma mira deloc faptul ca la categoria filme straine sunt filme foarte bune, pe cand la categoria cel mai bun film au pus unele doar ca sa umple locurile. Totusi, daca atunci cand existau doar 5 nominalizari la cel mai bun film si-au gasit locul si filme straine, nu vad de ce intr-un an atat de slab pentru americani si inca cu 10 nominalizati, nu si-a gasit locul si un film strain. Faptul ca An Education e britanic nu se pune. Asta daca tot s-a trecut cu vederea peste filme precum Moon si The Road (la ultimul ma bazez pe spusele altora pentru ca inca nu l-am vazut; daca tot a fost ignorat total astept sa-l vad la cinema).