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rifa · 12 Jul 2010, 09:39

corect Stefan.

pentru cei care sunt interesati interviuri direct de pe covorul rosu de la premiera Inception din Marea Britanie.

Leonardo DiCaprio
http://www.youtube.com/watch?v=1uRsmw1wLOM&feature=player_embedded

Ellen Page
http://www.youtube.com/watch?v=J8YRpXQoOwk&feature=channel

Marion Cotillard
http://www.youtube.com/watch?v=efRyB5WTSjk&feature=channel

Joseph Gordon Levitt
http://www.youtube.com/watch?v=ODBKm8RuvGI&feature=channel

Michael Caine
http://www.youtube.com/watch?v=2YEdZfr3XmM&feature=channel

Cillian Murphy
http://www.youtube.com/watch?v=RkKQ-2aGR28&feature=player_embedded

Ken Watanabe
http://www.youtube.com/watch?v=iP-cvU7va9s&feature=player_embedded

Variety (90/100)

If movies are shared dreams, then Christopher Nolan is surely one of Hollywood's most inventive dreamers, given the evidence of his commandingly clever "Inception." Applying a vivid sense of procedural detail to a fiendishly intricate yarn set in the labyrinth of the subconscious, the writer-director has devised a heist thriller for surrealists, a Jungian's "Rififi," that challenges viewers to sift through multiple layers of (un)reality. As such, it's a conceptual tour de force unlikely to rank with Batman at the B.O., though post-"Dark Knight" anticipation and Leonardo DiCaprio should still position it as one of the summer's hottest, classiest tickets.

Hollywood Reporter

Bottom Line: A devilishly complicated, fiendishly enjoyable sci-fi voyage across a dreamscape that is thoroughly compelling. In a summer of remakes, reboots and sequels comes "Inception," easily the most original movie idea in ages.

The Wrap

It is not a typical summer movie, but it’s bold and imaginative in the vein of the best summer movies; it’s way too big and spectacular to be an art film, but it can leave you scratching your head in a good way.

IGN (5/5)

At times evoking the works of Jean Cocteau, Stanley Kubrick, and Michael Mann, Nolan has crafted an elaborate cinematic labyrinth where, like the dreams the protagonists are invading, there are different levels, each with its own distinct palette and style. As confusing as the film can be at times (there's one point where there are at least four different storylines going on simultaneously), one never senses that Nolan himself is lost, and that's the difference between a brilliant, multi-layered narrative and a movie that's just a mindjob for the sake of being clever.

Film School Rejects (A+):

I will say this now, without reservation and fully confident that many will agree; Inception is easily the best big budget film of the year thus far. I’ll go further and say that it’s one of the most beautiful, well written, and fully realized high dollar films of the last five years. Inception, is close to perfection.

CHUD (10/10):

Inception is a masterpiece. Making a huge film with big ambitions, Christopher Nolan never missteps and manages to create a movie that, at times, feels like a miracle. And sometimes it doesn’t even feel like a movie; while presented in woefully retro 2D, Inception creates a complete sense of immersion in another world. The screen before you is just another layer of the dream.

Awards Daily:

Imagine a film being made in 2010 where you have absolutely no idea where it is going or how it will end. These were the worlds created by revolutionary filmmakers, like Stanley Kubrick, Woody Allen, David Cronenberg and David Lynch. With Inception we have a film and a filmmaker that has broken new ground and very nearly reinvented the form and he did it all without 3-D. Nolan gets there on the power of the story – and his vision was realized with the aid of the usual suspects – Wally Pfister’s cinematography, Hans Zimmer’s unbelievable score – the art direction, the visual effects – see it on IMAX and it will blow your mind. I am sure more than a few will discover that seeing the movie IN an altered state will also blow your mind, not that I’m advocating that.

Cinematical:

Further, its sublime combination of theoretical and humanistic elements puts it in the company of films like, yes, The Matrix, but more accurately dense, character-driven concept movies like Synecdoche, New York, itself arguably one of the best and most important (if also impenetrable) of the last decade. But it’s also the kind of movie that transcends any easy comparisons, and resists previous standards of achievement, innovation, or impact, which is why it’s difficult to pinpoint the last time I felt quite so passionately about every single part of a cinematic experience. And that may ultimately be the film’s greatest achievement: to consume and possess its audience with that passion, whether you’re as inspired and excited as I am, or disappointed, confused or frustrated as many will no doubt also be.

JoBlo (10/10):

At 148 minutes, INCEPTION is hardly a quick film but it moves with such speed and efficiency that you never “feel” the length. Even when it’s over, the movie stays with you, begging for conversation, discussion, debate and, eventually, another viewing. I’m sure it’ll even pop up in your dreams. Nothing wrong with that. We should all be dreaming a little bit bigger.

Empire (5/5):

Like The Matrix mated with Synecdoche, New York — or a Charlie Kaufman 007. To paraphrase Casino Royale’s Vesper Lynd, it’s a meaningful pursuit in a summer of disposable entertainments. With physics-defying, thunderous action, heart-wringing emotion and an astonishing performance from DiCaprio, Nolan delivers another true original: welcome to an undiscovered country.

Indie Wire (5/5):

As intricate as the script is—Nolan worked on it for a decade—the movie is not just a feat of cinematic wizardry, even though it comes close to the level of technological derring-do carried off by the likes of Stanley Kubrick. (Indeed Nolan works in repeated homages to the late great auteur beyond the obvious use of moving sets on gimbles to allow athletic Gordon-Levitt to bounce weightless and walk on walls and ceilings.) The movie also has heart. So that even if you do get confused (as I did in the James Bond snow section, filmed in the Canadian Rockies), the emotional through-line pulls you along. It’s as simple as The Wizard of Oz: The Extractor wants to go home.

Box Office Magazine (5/5):

In terms of sheer originality, ambition and achievement, Inception is the movie of the summer, the movie of the year and the movie of our dreams. Director Christopher Nolan’s heist film about a group of dream extractors who can invade a person’s subconscious to steal-or plant-vital information may remind you of James Bond, The Matrix, or even Nolan’s own Memento, when in fact it’s unlike any other. A bold, inventive, audacious entertainment, Inception charts a new course for motion pictures and sets the bar very, very high. Matrix-style business should be in order, even though audiences will have to pay strict attention to get the full experience (perish the thought). Simplistic moviegoers who like their blockbusters cooked in predictability may not get it but Nolan fans and those who like their action married to new ideas will flock to multiplexes for repeated viewings.

Variety:

If movies are shared dreams, then Christopher Nolan is surely one of Hollywood’s most inventive dreamers, given the evidence of his commandingly clever “Inception.” Applying a vivid sense of procedural detail to a fiendishly intricate yarn set in the labyrinth of the subconscious, the writer-director has devised a heist thriller for surrealists, a Jungian’s “Rififi,” that challenges viewers to sift through multiple layers of (un)reality. As such, it’s a conceptual tour de force unlikely to rank with Batman at the B.O., though post-”Dark Knight” anticipation and Leonardo DiCaprio should still position it as one of the summer’s hottest, classiest tickets.

In Contention (3.5/4):

Moreover, this could be the film to solidify the director’s place among the modern masters. “The Dark Knight” made its mark on pop culture, yes, but “Inception” doesn’t carry the (however unfair) stigma of being based on pulp fiction. It could leave a footprint far more important on the industry: the fulfilled promise, perhaps thanks to a thinly rewarding summer movie season, that expensive, thoughtful, original filmmaking can pay dividends.

The Hollywood Reporter:

Following up on such ingenious and intriguing films as “The Dark Knight” and “Memento,” Nolan has outdone himself. “Inception” puts him not only at the top of the heap of sci-fi all-stars, but it also should put this Warner Bros. release near or at the top of the summer movies. It’s very hard to see how a film that plays so winningly to so many demographics would not be a worldwide hit.

enjoy.

<a href="http://%22http://www.youtube.com/watch?v=U_ZZKWxF2TU&feature=player_embedded%22" target="_blank" rel="nofollow">http://www.youtube.com/watch?v=U_ZZK...layer_embedded

Soundtrack-ul de Hans Zimmer ... :

<a href="http://%22http://www.musicme.com/Hans-Zimmer/albums/Inception-%28Music-From-The-Motion-Picture%29-0093624965008.html%22" target="_blank" rel="nofollow">http://www.musicme.com/Hans-Zimmer/a...624965008.html

Cata emotie poate sa fie in soundtrack-ul asta... sunt curios cum o sa fie "asezat" pe pelicula... imi aduce aminte de Blade Runner si The Matrix.... Foarte futuristic dar plin de emotie... daca va fi si bine pus in film cu siguranta alta nominalizare la Oscar pentru Zimmer...

De la piesa 5 incepe smecheria primele 4 fiind un fel de intro care suna criminal...

12 Jul 2010, 09:39	#36
rifa Guru Join Date: May 2010 Posts: 338	corect Stefan. pentru cei care sunt interesati interviuri direct de pe covorul rosu de la premiera Inception din Marea Britanie. Leonardo DiCaprio http://www.youtube.com/watch?v=1uRsmw1wLOM&feature=player_embedded Ellen Page http://www.youtube.com/watch?v=J8YRpXQoOwk&feature=channel Marion Cotillard http://www.youtube.com/watch?v=efRyB5WTSjk&feature=channel Joseph Gordon Levitt http://www.youtube.com/watch?v=ODBKm8RuvGI&feature=channel Michael Caine http://www.youtube.com/watch?v=2YEdZfr3XmM&feature=channel Cillian Murphy http://www.youtube.com/watch?v=RkKQ-2aGR28&feature=player_embedded Ken Watanabe http://www.youtube.com/watch?v=iP-cvU7va9s&feature=player_embedded Variety (90/100) If movies are shared dreams, then Christopher Nolan is surely one of Hollywood's most inventive dreamers, given the evidence of his commandingly clever "Inception." Applying a vivid sense of procedural detail to a fiendishly intricate yarn set in the labyrinth of the subconscious, the writer-director has devised a heist thriller for surrealists, a Jungian's "Rififi," that challenges viewers to sift through multiple layers of (un)reality. As such, it's a conceptual tour de force unlikely to rank with Batman at the B.O., though post-"Dark Knight" anticipation and Leonardo DiCaprio should still position it as one of the summer's hottest, classiest tickets. Hollywood Reporter Bottom Line: A devilishly complicated, fiendishly enjoyable sci-fi voyage across a dreamscape that is thoroughly compelling. In a summer of remakes, reboots and sequels comes "Inception," easily the most original movie idea in ages. The Wrap It is not a typical summer movie, but it’s bold and imaginative in the vein of the best summer movies; it’s way too big and spectacular to be an art film, but it can leave you scratching your head in a good way. <b>IGN (5/5)</b> At times evoking the works of Jean Cocteau, Stanley Kubrick, and Michael Mann, Nolan has crafted an elaborate cinematic labyrinth where, like the dreams the protagonists are invading, there are different levels, each with its own distinct palette and style. As confusing as the film can be at times (there's one point where there are at least four different storylines going on simultaneously), one never senses that Nolan himself is lost, and that's the difference between a brilliant, multi-layered narrative and a movie that's just a mindjob for the sake of being clever. <b>Film School Rejects (A+):</b> I will say this now, without reservation and fully confident that many will agree; Inception is easily the best big budget film of the year thus far. I’ll go further and say that it’s one of the most beautiful, well written, and fully realized high dollar films of the last five years. Inception, is close to perfection. <b>CHUD (10/10):</b> Inception is a masterpiece. Making a huge film with big ambitions, Christopher Nolan never missteps and manages to create a movie that, at times, feels like a miracle. And sometimes it doesn’t even feel like a movie; while presented in woefully retro 2D, Inception creates a complete sense of immersion in another world. The screen before you is just another layer of the dream. <b>Awards Daily:</b> Imagine a film being made in 2010 where you have absolutely no idea where it is going or how it will end. These were the worlds created by revolutionary filmmakers, like Stanley Kubrick, Woody Allen, David Cronenberg and David Lynch. With Inception we have a film and a filmmaker that has broken new ground and very nearly reinvented the form and he did it all without 3-D. Nolan gets there on the power of the story – and his vision was realized with the aid of the usual suspects – Wally Pfister’s cinematography, Hans Zimmer’s unbelievable score – the art direction, the visual effects – see it on IMAX and it will blow your mind. I am sure more than a few will discover that seeing the movie IN an altered state will also blow your mind, not that I’m advocating that. <b>Cinematical:</b> Further, its sublime combination of theoretical and humanistic elements puts it in the company of films like, yes, The Matrix, but more accurately dense, character-driven concept movies like Synecdoche, New York, itself arguably one of the best and most important (if also impenetrable) of the last decade. But it’s also the kind of movie that transcends any easy comparisons, and resists previous standards of achievement, innovation, or impact, which is why it’s difficult to pinpoint the last time I felt quite so passionately about every single part of a cinematic experience. And that may ultimately be the film’s greatest achievement: to consume and possess its audience with that passion, whether you’re as inspired and excited as I am, or disappointed, confused or frustrated as many will no doubt also be. <b>JoBlo (10/10):</b> At 148 minutes, INCEPTION is hardly a quick film but it moves with such speed and efficiency that you never “feel” the length. Even when it’s over, the movie stays with you, begging for conversation, discussion, debate and, eventually, another viewing. I’m sure it’ll even pop up in your dreams. Nothing wrong with that. We should all be dreaming a little bit bigger. <b>Empire (5/5):</b> Like The Matrix mated with Synecdoche, New York — or a Charlie Kaufman 007. To paraphrase Casino Royale’s Vesper Lynd, it’s a meaningful pursuit in a summer of disposable entertainments. With physics-defying, thunderous action, heart-wringing emotion and an astonishing performance from DiCaprio, Nolan delivers another true original: welcome to an undiscovered country. <b>Indie Wire (5/5):</b> As intricate as the script is—Nolan worked on it for a decade—the movie is not just a feat of cinematic wizardry, even though it comes close to the level of technological derring-do carried off by the likes of Stanley Kubrick. (Indeed Nolan works in repeated homages to the late great auteur beyond the obvious use of moving sets on gimbles to allow athletic Gordon-Levitt to bounce weightless and walk on walls and ceilings.) The movie also has heart. So that even if you do get confused (as I did in the James Bond snow section, filmed in the Canadian Rockies), the emotional through-line pulls you along. It’s as simple as The Wizard of Oz: The Extractor wants to go home. <b>Box Office Magazine (5/5):</b> In terms of sheer originality, ambition and achievement, Inception is the movie of the summer, the movie of the year and the movie of our dreams. Director Christopher Nolan’s heist film about a group of dream extractors who can invade a person’s subconscious to steal-or plant-vital information may remind you of James Bond, The Matrix, or even Nolan’s own Memento, when in fact it’s unlike any other. A bold, inventive, audacious entertainment, Inception charts a new course for motion pictures and sets the bar very, very high. Matrix-style business should be in order, even though audiences will have to pay strict attention to get the full experience (perish the thought). Simplistic moviegoers who like their blockbusters cooked in predictability may not get it but Nolan fans and those who like their action married to new ideas will flock to multiplexes for repeated viewings. <b>Variety:</b> If movies are shared dreams, then Christopher Nolan is surely one of Hollywood’s most inventive dreamers, given the evidence of his commandingly clever “Inception.” Applying a vivid sense of procedural detail to a fiendishly intricate yarn set in the labyrinth of the subconscious, the writer-director has devised a heist thriller for surrealists, a Jungian’s “Rififi,” that challenges viewers to sift through multiple layers of (un)reality. As such, it’s a conceptual tour de force unlikely to rank with Batman at the B.O., though post-”Dark Knight” anticipation and Leonardo DiCaprio should still position it as one of the summer’s hottest, classiest tickets. <b>In Contention (3.5/4):</b> Moreover, this could be the film to solidify the director’s place among the modern masters. “The Dark Knight” made its mark on pop culture, yes, but “Inception” doesn’t carry the (however unfair) stigma of being based on pulp fiction. It could leave a footprint far more important on the industry: the fulfilled promise, perhaps thanks to a thinly rewarding summer movie season, that expensive, thoughtful, original filmmaking can pay dividends. <b>The Hollywood Reporter:</b> Following up on such ingenious and intriguing films as “The Dark Knight” and “Memento,” Nolan has outdone himself. “Inception” puts him not only at the top of the heap of sci-fi all-stars, but it also should put this Warner Bros. release near or at the top of the summer movies. It’s very hard to see how a film that plays so winningly to so many demographics would not be a worldwide hit. enjoy. <a href="http://%22http://www.youtube.com/watch?v=U_ZZKWxF2TU&feature=player_embedded%22" target="_blank" rel="nofollow">http://www.youtube.com/watch?v=U_ZZK...layer_embedded Soundtrack-ul de Hans Zimmer ... : <a href="http://%22http://www.musicme.com/Hans-Zimmer/albums/Inception-%28Music-From-The-Motion-Picture%29-0093624965008.html%22" target="_blank" rel="nofollow">http://www.musicme.com/Hans-Zimmer/a...624965008.html Cata emotie poate sa fie in soundtrack-ul asta... sunt curios cum o sa fie "asezat" pe pelicula... imi aduce aminte de Blade Runner si The Matrix.... Foarte futuristic dar plin de emotie... daca va fi si bine pus in film cu siguranta alta nominalizare la Oscar pentru Zimmer... De la piesa 5 incepe smecheria primele 4 fiind un fel de intro care suna criminal... Last edited by buticut : 13 Jul 2010 at 21:55.