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Dragomara · 09 May 2009, 13:20

Coloana sonoră a “Mujeres al borde de un ataque de nervios” (1988) – Pedro Almodóvar

“Soy Infeliz” - Lola Beltran
http://www.youtube.com/watch?v=NhXmF...eature=related

“Puro teatro” – La Lupe
http://www.youtube.com/watch?v=PE6YBdqC5So

Capriccio Espagnol Rimsky-Korsakov Delaware County Youth Orchestra
http://www.youtube.com/watch?v=RRaYzSnGGUU

Versurile

Lola Beltran - „Soy Infeliz”

Soy infeliz porque se que no me quieres para que mas insistir
Vive feliz mi bien, si el amor que tu me diste para siempre he de sentir
Soy infeliz si porque tu no me quieres, piensas que yo he de morir
Que me sirvan otro trago cantinero yo los pago
Pa' calmar este sufrir
Vive feliz en tu mundo de ilusiones
No pienses mas en tu amor y tus traiciones
Soy infeliz si porque tu no me quieres, piensas que yo he de morir
Que me sirvan cuatro tragos cantinero yo los pago
Pa' calmar este sufrir
Vive feliz en tu mundo de ilusiones
No pienses mas en tu amor y tus traiciones
Soy infeliz si porque tu no me quieres, piensas que yo he de morir
Que me sirvan cuatro tragos cantinero yo los pago
Pa' calmar este sufrir

La Lupe – “Puro teatro”

Igual que en un escenario
Finges tu dolor barato
Tu drama no es necesario
Ya conozco ese teatro
Mintiendo que bien te queda el papel
Despues de todo parece
Que es tu forma de ser
Yo confiaba ciegamente
En la fiebre de tus besos
Mentiste serenamente
Y el telon cayo por eso
Teatro...
lo tuyo es puro teatro
falsedad bien ensayada
estudiado simulacro
Fue tu mejor actuacion
Destrozar mi corazon
y hoy que me lloras de veras
Recuerdo tu simulacro
Perdona que no te crea
me parece que es teatro
y acuerdate que segun tu punta de vista yo soy la mala!
Ay!!
Teatro...
lo tuyo es puro teatro
falsedad bien ensayada
estudiado simulacro
Fue tu mejor actuacion
Destrozar mi corazon
y hoy que me lloras de veras
Recuerdo tu simulacro
Perdona que no te crea
me parece que es teatro
Perdona que no te crea
Lo tuyo es puro...
Teatrooooo.

Capriccio Espagnol From Wikipedia, the free encyclopedia

Capriccio Espagnol, Op. 34, is the common Western title for an orchestral work based on Spanish melodies and written by Nikolai Rimsky-Korsakov in 1887.

Originally intended for a soloviolin against an orchestra, Rimsky-Korsakov later decided that a purely orchestral work would do better justice to the lively melodies. The Russian title is Каприччио на испанские темы (literally, Capriccio on Spanish Themes).
The Capriccio consists of five movements and is scored for 2 flutes, piccolo, 2 oboes (one doubling English horn), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, percussion, harp and strings.[1]

The work has five movements.

1. The first movement, Alborada, is a festive and exciting dance, typical from traditional asturian music to celebrate the rising of the sun.
2. The second movement, Variazioni, begins with a melody in the horn section. Variations of this melody are then repeated by other instruments and sections of the orchestra.
3. The third movement, Alborada, presents the same asturian dance as the first movement. The two movements are nearly identical, in fact, except that this movement has a different instrumentation and key.
4. The fourth movement, Scena e canto gitano ("Scene and gypsy song") opens with five cadenzas — first by the horns and trumpets, then solo violin, flute, clarinet, and harp — played over rolls on various percussion instruments. It is then followed by a dance in triple time leading attacca into the final movement.
5. The fifth and final movement, Fandango asturiano, is also an energetic dance from the Asturias region of northern Spain. The piece ends with an even more rousing statement of the Alborada theme.

A complete performance of the Capriccio takes around 16 minutes.

Characteristics

The piece is often lauded for its orchestration, which features a large percussion section and many special techniques and articulations, such as in the fourth movement when the violinists, violists, and cellists are asked to imitate guitars (the violin and viola parts are marked "quasi guitara"). Despite the critical praise, Rimsky-Korsakov was annoyed that the other aspects of the piece were being ignored. In his autobiography, he wrote:
The opinion formed by both critics and the public, that the Capriccio is a magnificently orchestrated piece — is wrong. The Capriccio is a brilliant composition for the orchestra. The change of timbres, the felicitous choice of melodic designs and figuration patterns, exactly suiting each kind of instrument, brief virtuoso cadenzas for instruments solo, the rhythm of the percussion instruments, etc., constitute here the very essence of the composition and not its garb or orchestration. The Spanish themes, of dance character, furnished me with rich material for putting in use multiform orchestral effects. All in all, the Capriccio is undoubtedly a purely external piece, but vividly brilliant for all that. I was a little less successful in its third section (Alborada, in B-flat major), where the brasses somewhat drown the melodic designs of the woodwinds; but this is very easy to remedy, if the conductor will pay attention to it and moderate the indications of the shades of force in the brass instruments by replacing the fortissimo by a simple forte.

Use in Film
 A recording by Philharmonia Slavonica featured in the film "Brokeback Mountain" (2006).

References
1. ^ "Capriccio Espagnol, Op. 34". Luck's Music Library.
 "Nikolay Andreyevich Rimsky-Korsakov: Works; orchestral," http://www.grovemusic.com (available by subscription only), viewed 2007-02-28.
 Laki, Peter. Cleveland Orchestra program notes for performances on January 28 and 29, 2005.

09 May 2009, 13:20	#73
Dragomara Banned Join Date: Dec 2007 Location: Axiopolis Posts: 2,871	ok, cred că tb să merg la psihiatru. *Coloana sonoră a “Mujeres al borde de un ataque de nervios” (1988) – Pedro Almodóvar* “Soy Infeliz” - Lola Beltran http://www.youtube.com/watch?v=NhXmF...eature=related “Puro teatro” – La Lupe http://www.youtube.com/watch?v=PE6YBdqC5So Capriccio Espagnol Rimsky-Korsakov Delaware County Youth Orchestra http://www.youtube.com/watch?v=RRaYzSnGGUU *Versurile* Lola Beltran - „Soy Infeliz” Soy infeliz porque se que no me quieres para que mas insistir Vive feliz mi bien, si el amor que tu me diste para siempre he de sentir Soy infeliz si porque tu no me quieres, piensas que yo he de morir Que me sirvan otro trago cantinero yo los pago Pa' calmar este sufrir Vive feliz en tu mundo de ilusiones No pienses mas en tu amor y tus traiciones Soy infeliz si porque tu no me quieres, piensas que yo he de morir Que me sirvan cuatro tragos cantinero yo los pago Pa' calmar este sufrir Vive feliz en tu mundo de ilusiones No pienses mas en tu amor y tus traiciones Soy infeliz si porque tu no me quieres, piensas que yo he de morir Que me sirvan cuatro tragos cantinero yo los pago Pa' calmar este sufrir La Lupe – “Puro teatro” Igual que en un escenario Finges tu dolor barato Tu drama no es necesario Ya conozco ese teatro Mintiendo que bien te queda el papel Despues de todo parece Que es tu forma de ser Yo confiaba ciegamente En la fiebre de tus besos Mentiste serenamente Y el telon cayo por eso Teatro... lo tuyo es puro teatro falsedad bien ensayada estudiado simulacro Fue tu mejor actuacion Destrozar mi corazon y hoy que me lloras de veras Recuerdo tu simulacro Perdona que no te crea me parece que es teatro y acuerdate que segun tu punta de vista yo soy la mala! Ay!! Teatro... lo tuyo es puro teatro falsedad bien ensayada estudiado simulacro Fue tu mejor actuacion Destrozar mi corazon y hoy que me lloras de veras Recuerdo tu simulacro Perdona que no te crea me parece que es teatro Perdona que no te crea Lo tuyo es puro... Teatrooooo. *Capriccio Espagnol From Wikipedia, the free encyclopedia* Capriccio Espagnol, Op. 34, is the common Western title for an orchestral work based on Spanish melodies and written by Nikolai Rimsky-Korsakov in 1887. Originally intended for a soloviolin against an orchestra, Rimsky-Korsakov later decided that a purely orchestral work would do better justice to the lively melodies. The Russian title is Каприччио на испанские темы (literally, Capriccio on Spanish Themes). The Capriccio consists of five movements and is scored for 2 flutes, piccolo, 2 oboes (one doubling English horn), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, percussion, harp and strings.[1] The work has five movements. 1. The first movement, Alborada, is a festive and exciting dance, typical from traditional asturian music to celebrate the rising of the sun. 2. The second movement, Variazioni, begins with a melody in the horn section. Variations of this melody are then repeated by other instruments and sections of the orchestra. 3. The third movement, Alborada, presents the same asturian dance as the first movement. The two movements are nearly identical, in fact, except that this movement has a different instrumentation and key. 4. The fourth movement, Scena e canto gitano ("Scene and gypsy song") opens with five cadenzas — first by the horns and trumpets, then solo violin, flute, clarinet, and harp — played over rolls on various percussion instruments. It is then followed by a dance in triple time leading attacca into the final movement. 5. The fifth and final movement, Fandango asturiano, is also an energetic dance from the Asturias region of northern Spain. The piece ends with an even more rousing statement of the Alborada theme. A complete performance of the Capriccio takes around 16 minutes. Characteristics The piece is often lauded for its orchestration, which features a large percussion section and many special techniques and articulations, such as in the fourth movement when the violinists, violists, and cellists are asked to imitate guitars (the violin and viola parts are marked "quasi guitara"). Despite the critical praise, Rimsky-Korsakov was annoyed that the other aspects of the piece were being ignored. In his autobiography, he wrote: The opinion formed by both critics and the public, that the Capriccio is a magnificently orchestrated piece — is wrong. The Capriccio is a brilliant composition for the orchestra. The change of timbres, the felicitous choice of melodic designs and figuration patterns, exactly suiting each kind of instrument, brief virtuoso cadenzas for instruments solo, the rhythm of the percussion instruments, etc., constitute here the very essence of the composition and not its garb or orchestration. The Spanish themes, of dance character, furnished me with rich material for putting in use multiform orchestral effects. All in all, the Capriccio is undoubtedly a purely external piece, but vividly brilliant for all that. I was a little less successful in its third section (Alborada, in B-flat major), where the brasses somewhat drown the melodic designs of the woodwinds; but this is very easy to remedy, if the conductor will pay attention to it and moderate the indications of the shades of force in the brass instruments by replacing the fortissimo by a simple forte. *Use in Film*  A recording by Philharmonia Slavonica featured in the film "Brokeback Mountain" (2006). References 1. ^ "Capriccio Espagnol, Op. 34". Luck's Music Library.  "Nikolay Andreyevich Rimsky-Korsakov: Works; orchestral," http://www.grovemusic.com (available by subscription only), viewed 2007-02-28.  Laki, Peter. Cleveland Orchestra program notes for performances on January 28 and 29, 2005.