1. este omul prin natura lui, o fiinta violenta?
2. care sunt limitele voyeur-ismului pentru o persoana obisnuita?
1. da.
2. funk limits!
Nu am de ce sa justific violenta. A fost justificata in momentul in care a aparut exploitationul ca gen cinematografic. It's the need to see people humiliated and killed. And it's fun.
Quote:
Exploitation emerged as genre in the 30s. Subjects prohibited by the Production Code were the stock-in-trade of the Exploitation industry: the ravages of syphilis, the evils of dope, white slavery, abortion and teenage pregnancy were standard motifs.
Unable to obtain Code approval and lacking the major studios' distribution networks, Exploiteers devised alternative methods of distribution. A vaudeville house or theatrical stage could be rented for the slow summer months and converted into an adults-only theater. The movies were shown in former burlesque halls known as grindhouses, in small-town theaters feeling the economic squeeze of Hollywood block-booking.
Exploitation films were frequently screened roadshow style, a road agent traveling the country with a single print, screening it in a rented auditorium or a tent erected at the outskirts of town. An advance agent would paper the town in with fliers. Films such as Street Corner (1948) or Test Tube Babies (1953), screened separately for men and women, would include a break in which a purported expert would launch into a sales pitch for sexual hygiene booklet. The educational veneer permitted audiences to emerge from their voyeuristic revel with their sense of righteousness intact.
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si...
Quote:
Promising bizarre rituals from around the world, the Italian Mondo Cane (1962, and loosely translated, "It's a dog's world") codified the Mondo movie, an episodic mix of documentary and outright fake footage. Drawing from a form dating back to the silent era, the tremendous success of Mondo Cane inspired Mondo Freudo (1968), Mondo Nudo (1963), Mondo Topless (1966), Mondo Bizarro (1966) and The Wild World of Jayne Mansfield (1968). The genre torch is still carried by the Faces of Death VHS series and any number of TV reality programs.
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Intr-o oarecare masura, exploitationul este voyeurism numai ca without all the trouble.
