Originally Posted by Amyd:
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Metoda sa de predare nu avea nimic de a face cu "hipnoza" si alte tampenii de genul acesta, era foarte common sensical (desi poate parea la prima vedere un pic out there cand vorbeste de modalitatile de explorare a sursei emotiilor, de fapt nu este) dupa ce lasai la o parte politica si ideologia (specifica generatiei respective de artisti rusi, though la fel de specific schimbata in momentul revolutiei, desigur)
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Still:
"After World War II, in the context of the Actors Studio, the Stanislavski Method was shorn of its radical Political connotations (the Group Theater became a particular target of anticommunist investigators) and emphasized an individualized,
psychological approach to acting- The “Method” required a performer to
draw on his or her own self, on experiences,
memories, and
emotions that could inform a characterization and shape how a character might speak or move. Characters were thus shown to have an
interior life; rather than being stereotyped figures representing a single concept (the villain, the heroine), they could become complex human beings with multiple and contradictory feelings and desires. it was the ability to convey the complexity-indeed the confusion of inner feelings that made the Actors Studio-trained Marlon Brando, Montgomery Clift, and James Dean such emblematic figures for the Postwar era."